Kadiri Lakshmi Narasimha Swamy Temple is located in Anantapur district in Andhra Pradesh, India. It is said that devotees who offer prayers here get relieved of their sorrows, sufferings and sins.
The town got its name from Khadri, in Sanskrit, meaning Indian mulberry. It is believed that Lord Shri Khadri Lakshmi Narasimha Swamy came out of this tree. The main deity in this temple is Ashta Bahu Shri Narasimha who has eight hands clawing open the body of Hiranyakashipu. This was one of the ten avatars or reincarnations of Lord Vishnu.
Narasimha means ‘Man Lion’ as that was the form taken by Lord Vishnu to kill Hiranyakashipu who could not be killed otherwise. It is merely a mention on how truth can overcome evil despite the difficulties. He is envisioned as a half man with the torso and lower body and the face and hands, that of a lion.
It is said that Lord Narasimha emerged from the Khadri tree to act his part in killing Hiranyakashipu at this place. The temple was built by one Ranganayudu, a Palegar of Pathariapattanam.
The Rangamantapam has been ornately carved with scenes from the Ramayana and further down, the Lakshmi mantapa has depictions of the Mahabharatha. There are inscriptions on what the rulers have given to the temple. The carvings and scriptures have started fading due to the vagaries of climate and weather.
Infotips: The temple opens at 6:30am until 12:45pm and then it will be closed at 12:45am and it starts at 16:30hours in the evening and continues till 20:30hours in the night. The temple remains closed from 12:45 to 4:30pm in the afternoon.
On this occassion I would like to share about Makara Sankranti. Let us know, what is Makara Sankranti, Bhogi, Kanuma, Mukkunama, Why it is celebrated, Special foods made on this day, How it is cele…
Source: Makara Sankranthi
National drink of India: Chai a.k.a Tea. Chai is ubiquitous in our country. It is served on every street corner and on crowded train stations at all times of the day or night. It is quite a sight to watch a street side vendor pour a cutting chai. They take one full glass of chai and one empty one. The chai is poured back and forth from one glass to another a few times from about 3 feet up and split equally between the two glasses. And amazingly not a single drop is spilled. This also helps to bring the chai down to drinking temperature.
How many of you agree with me that chai is national drink of India??
With gleam of Diyas
And the Echo of the Chants
May Happiness and Contentment Fill Ur life
Wishing you & your Family very Happy and Prosperous Diwali!
Click here to know more about Diwali: Festival of lights
Being a Hyderabadi, I always had this two questions from people during weekends…
What do you guys do over your weekend?
Don’t we have any weekend gateways around Hyderabad?
In fact, I used to share few places which most of them are aware of it, I don’t really have many places to share to go out for a drive over the weekends from Hyderabad.
I could now realize the fact that most of us haven’t really explored the surreal beauty around Hyderabad. If you are nature lover, yes you have one now which is 2 hours drive from Hyderabad.
Mannemkonda is best enjoyed when the sky is overcast, which makes the 20kms journey from Mahbubnagar delightful. The varied hues of Nature and fresh air rejuvenated my senses. The secluded green valley’s surrounding the hold this temple best kept secrets.
Before we arrived our destination, we had several stopovers to capture the nature at its best. I felt exactly like rolling greens spread like a carpet, floating clouds jealously hugged the Hillocks alongside and a seamless path ahead dotted with beautiful nature.
Manyamkonda is the hill where the Lord Venkateshwara Swamy Temple is located. This place is very calm, mesmerizing, beautiful and of course a perfect destination for devotees and tourists. It is believed that this ancient temple is more than 500 years old. This temple is located in a cave which is reportedly balanced on top of the three hills. It is considered as one of the important spiritual centres in Mahbubnagar District. Here pilgrims can have a glimpse of the ancient caves where the sages were believed to have practiced penance.Hence this place was called as Munulakonda (Munulu means Saints and Konda means hill) and later as days passed by it has been referred as Mannemkonda or Manyamkonda.
On the heart of the forest and on the hilltop, Lord Venkateshwara Swamy could be found majestically. The shrine is located on a hill which is 915 m high and at a distance of 2 Km from the village.
One can enjoy the nature’s splendour and scenic beauty at the temple. The temple has a beautiful Rajagopuram with the images of Gods and Goddesses carved on it. Very rarely we can find Lord Venkateshwara as a “Swayambhumurthi” which means self manifested. Seeing Lord Venkateshwara in the forest, with lush greens is truly a blissful experience.
If you are a nature lover and wanted to spend time peacefully plan for a trip to Manyamkonda. Have a nice week my dear friends!!
Pattadakal is located on the left bank of the Malaprabha River in Bagalkot district and is 22 km from Badami, 10kms from Aihole and 400kms from Hyderabad. It was once the capital of the Chalukya dynasty of Karnataka between the 7th and 8th centuries is the cluster of ten beautifully carved temples which represents the high point of an eclectic art which achieved a harmonious blend of architectural forms from northern(Nagara) and southern(Dravidian) India.UNESCO in 1987 included Pattadakal in its list of World Heritage sites.
The sculptural art of these temples is marked by classiness of the Chalukyan dynasty. Pattadakal emerges as a heavenly site with its superb architectural marvels in a picture-perfect lane.
An impressive series of nine Hindu temples, as well as a Jain sanctuary, can be seen there. One masterpiece from the group stands out – the Temple of Virupaksha.
Chalukyan rulers are great patrons because of them, their artisans did experiments and innovated a new dimension in temple architecture. . It is in their period that transition from rock-cut medium to structural temples took place.
Out of all, four temples are built in Dravidian style, four in Nagara style and Papanatha Temple illustrates a perfect blend of both styles of architecture.The important ones are discussed below in detail.
Virupaksha temple is the largest and grandest of all temples in Pattadakal built in 8th Century, built by Queen Lokamahadevi (Trilokya mahadevi)in 745 to commemorate her husband’s victory (Vikramaditya II) over the Pallavas of Kanchi. This temple has a sanctum, an inner passage, pillared navaranga and triple entrances from the north, east and the south porches. It has a massive gateway in front from the east and a small gate behind. There are inscriptions and imposing stone carved figures inside the stone mantapa. It has a beautiful Nandi Mandapam with a large Nandi statue gazing in the direction of the Lord. The Kailasanatha temple at Ellora was built based on the model of Virupaksha temple.
Mallikarjuna Temple is a smaller version of the Virupaksha temple and was built by Vikramadiyta’s second queen Trilokyamahadevi in 745. This temple is also was constructed by Rani Trilokyamahadevi to celebrate the victory (by Vikramaditya II) over the Pallavas. The Mallikarjuna temple was built immediately after and close to the Virupaksha temple (It has a similar plan), with a 4 storeyed vimana with a circular griva and shikhara. Mallikarjuna temple in Dravidian style. It is in close proximity with the Sanghameshvara temple in design, construction and sculpture, but smaller in size. The porch has a beautiful image of Narasimha killing Hiranyakashipu and two female idols. Here are two grand images on both the sides of the entrance to the navaranga. The eighteen pillars of the navaranga have figures pertaining to Ramayana, Mahabharatha and those representing social conditions of those days. On the ceiling are beautiful figures of Gajalakshmi and Shiva-Parvathi with Nandi. On the external walls are sculptures like Shiva, Nandi, Lakulisha, Nataraja, etc.The temple is celebrated for its artistic sculptures.
Papanatha Temple is the only temple that has been designed on both north and south Indian styles of architecture. Containing a Nagara styled Vimanam, the temple dates back to 680 AD. Initially, the construction was started with Nagara style, but later it was switched to Dravidian style. The temple is famous for its sculptures that are imbibed from the scenes of Ramayana and Mahabharata.
This Temple was constructed by the Rashtrakutas of Manyakheta. Built in the Dravidian style, the temple comprises really beautiful sculptures. Perhaps, it was erected either by King Amoghavarsha I or his son Krishna II in the 9th century.
It was the last to be built in early Chalukya style. This temple was built by the Rashtrakutas in the 8th century.
Perhaps the oldest temple in the group, Sangameshvara Temple was built by King Vijayaditya Satyashreya during 697 -733 AD. This incomplete temple appeals with its colossal structure.
Tips from my perspective:
- It is open from Sunrise to Sunset.
- Entrance Fee to the Citizens of India and visitors of SAARC (Bangladesh, Nepal, Bhutan, Sri Lanka, Pakistan, Maldives and Afghanistan) and BIMSTEC Countries (Bangladesh, Nepal, Bhutan, Sri Lanka, Thailand and Myanmar) – Rs. 10 per head. Others: US $ 5 or Indian Rs. 250/- per head.
- There are no Hotels available in Pattadakal. If you are planning to stay, the best option is to go to Badami where you can find a lot of options.
- Aihole is 10kms and Badami is 22kms away from Pattadakal.
Aihoḷe is a small village in the Bagalkot district of Karnataka and located 400 kms from Hyderabad. It is known for Chalukyan architecture, with about 125 stone temples dating from 5th century CE. It was the cradle of ancient Hindu temple architecture. Experimentation with styles was undertaken by the artisans of Chalukyan Empire. The artisans worked on the rocks to create the earliest rock-cut shrines. The artisans graduated to the full-fledged Chalukya style of architecture. The early Chalukyas inherited architectural styles largely from their neighbors to the north and south of their kingdom.
After visiting all the must see places in Bijapur. We started to Aihole which was 110kms from Bijapur(via Nh 133/SH66) road till Ameengal was good and the last 10kms stretch was not drive friendly. Within an hour and so we’ve reached our first destination. We got surprised by seeing flocks of tourists. Then we realised that it was Sankranti/pongal (An Indian festival) Holiday season.
The prominent temple groups at Aihole are the Kontigudi group and the Galaganatha group of temples, although historians have divided all the temples into 22 groups. Three temples are referred to as the ‘Kontigudi group of temples’. One of these is the Lad Khan temple (the oldest at Aihole is the Lad khan temple dating back to the fifth century, named after a mendicant that lived in this temple in the 19th century, another the Huchiappayyagudi temple and the Huchiappayya math.
Durga temple: With a Curvilinear Shikhara
It is the best known of the Aihole temples and is just along the entrance to the temple complex. It is apsidal in plan, along the lines of a Buddhist chaitya, a high moulded adisthana and a tower – curvilinear shikhara. A pillared corridor runs around the temple, enveloping the shrine, the mukhamantapa and the sabhamantapa. All through the temple, there are beautiful carvings. The temple appears to be of the late 7th or early 8th century.
Lad Khan Temple consists of a shrine with two mantapas in front of it. The shrine bears a Shivalingam. The mukha mantapa in front of the sanctum has a set of 12 carved pillars. The sabhamantapa in front of the mukha mantapa has pillars arranged in such a manner as to form two concentric squares. There are also stone grids on the wall carrying floral designs. The temple was built by the Chalukya kings in the 5th century. Ladkhan Temple is to the south of the Durga temple are the temples of this group. The Ladkhan temple, so named, as a general of the name had lived here, consists of a square mantapa, a mukha mantapa and the sanctum, built against the backwall. The central square has a flat roof. In the centre Nandi is installed, and just above Nandi, there is a damaged nagara shikhara, appearing to be a later addition. The period of this structure is about 450 A.D.
We had a quick tour of all the other prominent temples of Aihole which includes Suryanarayana temple, Triyambakeshvara Group, Gowda temple, Huchimalli (gudi) temple, Kontigudi group of temples, Rachi gudi, Gaudara gudi, Badigere, Huchappayya (gudi) temple & Museum. Because of a huge number of tourist we skipped some of the other prominent temples like Ravanaphudi temple and meguti jain temple. I made my mind at that moment that I am not done with Aihole yet. 😛
All the temple complexes have different style of construction that indeed indicates that Aihole was the place for early experiments in Chalukyan style of Architecture. This place simply took us back into the time. Aihole is not in the list of UNESCO World heritage places. It has a great potential to be included as a UNESCO World heritage site. Then we left to Pattadakal(Yet to post) which was 11kms from Aihole.
To know more about these monuments and my trip to Bijapur click here